INTERNATIONAL ART EXHIBITION,
MOSKOW, RUSSIA, WARSAW, POLAND, 1984
BASHKIRTSEV’S ART EXHIBITION, MUSEUM OF FINE ART, POLTAVA, UKRAINE, 1988
AVAN/ART IN ROVANIEMI, FINLAND, 1990
ANNUAL NATIONAL ART EXHIBITION, KYIV, UKRAINE, 1990
AVAN/ART, MUSEUM OF FINE ART, MURMANSK, RUSSIA, 1990
AVAN/ART IN JACKSONVILLE, KENT GALLERY, JACKSONVILLE, FLORIDA, USA, 1991
AVAN/ART IN JACKSONVILLE, DAWNTOWN GALLERY, JACKSONVILLE, FLORIDA, USA, 1991
ME+ME+ME+ME+…/AVAN CENTER OF CULTURE MURMANSK, RUSSIA, 1992
NATIONAL EXHIBITION ART GALLERY, KIYV, UKRAINE, 1993
PAN-UKRAINE, DNIPROPETROVSK, UKRAINE, 1995
EXHIBITION MODERN ART GALLERY, POLTAVA, UKRAINE, 2003
REGIONAL EXHIBITION MODERN ART GALLERY, POLTAVA, UKRAINE, 2005
REGIONAL EXHIBITION MODERN ART GALLERY, POLTAVA, UKRAINE, 2007
KYIV-ART. 2008 HOUSE OF TEACHER ,KYIV , UKRAINE 2008
M-ART GALLERY KHARKIV, UKRAINE 2010
IN GARDENS OF VICTORY GALLERY , ODESSA, UKRAINE 2011
Florence Design Week "Crossing People" Exhibition,FLORENCE,ITALY,2013
Gallery Fine ART, POLTAVA,UKRAINE,2013
Gallery " TRYPTYH", KYIV,UKRAINE,2014
Fine ART Gallery ,POLTAVA,UKRAINE,2014
Ukrainian Free Universety, MUNKHEN,GERMANY,2014-2015
ARTGESCHOSS, internationale kunstausstellung, Salzgitter Bad,GERMANY,2017
Art Revolution Taipei,Taiwan , ????????,2018
Mr. Roman Kupchinsky (USA, New York)
Dr. Ulf Bethmann (Germany, Hamburg)
Ms. Monika Platek (Poland, Krakov)
Museums and collection:
Jacksonville College (Florida, USA);
Khmelnitsckiy National Art Museum (Ukraine);
Poltava Art Museum (Ukraine);
Modern Art Gallery Poltava (Ukraine);
USA, Germany, England, Russia, Ukraine,Poland.
My paintings are not for the "color of the wall".
The choice of style depends on what the artist pursues, and what tasks he puts in his entire creative path. The creative process, and the logical result of this process - this is the revelation of the wizard, this is what goes away from his heart.
My paintings are not for the "color of the walls". I fill them with content, which is called "action". But they should hang on the wall, but be part of a collection of true collectors who appreciate the design and internal content of the painting, its content. They are very different, because I love to experiment.
My paintings are not for the "color of the walls". I approach the idea of ??a future picture as a director for the upcoming film. The content of my paintings is very associative. In them, one should not see, but feel an inner feeling. If the collector has acquired at least one of my paintings, this means that we are in harmony with philosophical attitude to art, and to life in general, we are like-minded people.
My paintings are not for the "color of the walls". They make some thinking. The concept is very simple, and at the same time it is complicated. No one wants to strain himself with excessive physical activity. My paintings are complicated by their concept, but if they make me think (by the recognition of my collectors it is), and not just enjoying only the color or the spot, then this is a success for me.
My paintings are not for the "color of the walls". In my paintings-parables there is a personal thing that does not look like any other - it's symbolism. An artist, as nobody else perceives and feels the world through his prism. In this direction, I am not the only one. Therefore, my style can be attributed to "symbolic conceptualism".
My paintings are not for the "color of the walls", but have the full right to be, but in the open space of this wall, in the central part of it. I assure you, they will not bother you because you want to buy more and more ...
One small, seven-month-old boy barely kept his soft feet, holding on to the cribs of the baby cribs, and emotionally drew on the wall only the abstract spots of one not complex color (ocher-golden). It was his first picturesque monumental painting on the wall. This boy was me.