About
The "LIFE" that we live and the EXISTENCE always disturbed me, I felt them and feel incompatible or something like that.
That is why I search everything I perceive including my memories etc. the other side, perhaps there is the origin, the ultimate reason.
Well, I see painful discomfort around me, having been alive and present in so many places.
FORMAL ASPECTS
Nature apart.
Our urban civilization determines us a lot.
The fact that the rectangle is always present, came to obsess me.
We coexist with him, constantly our intimate apartment or building is a development
or three-dimensional assembly of thousands of them, in different quantities, sizes
with different functions and different materials, appropriate given its usefulness.
But not only that all our visual contacts in our civilized, urban life ...
From the window to see the book to learn and so on to our grave.
This, I was very impressed.
That is why I chose the SQUARE to define my creations
given its archetypal perfection, and for not participating in the different
virtues of the rectangle according to its harmonic proportions and
that the vertical or horizontal position influences the viewer.
Considering its difficulty, I presented my work including the challenge
the intention that it is not noticed, that what is captured makes the frame forget.
THE ARGUMENT
The images that I present are allusions questions about human nature
in its entirety. Incredible in determining situations, or imponderable "values" that naturally
condition our life and I expose my vision, sometimes ironically, others in the key of drama
and I try to use four or five different creative spaces to enrich the infinity of points of view
that are appreciated, to investigate in some way, why this life fails so much, including of course
interaction with the social environment, hence the "relationship" with others and with ourselves.
I speculate on its past and future present effects.
As visual metaphors. or "essays" on the "emotion" of existing in this time.
Artistic style"
I move within the broad "framework" of the figurative symbolic abstract, seeking the
more interesting communication and I seek strength, visual evocation is ironic or hurtful.
Visual essays on the gift and challenge of living.
THE BACKGROUND
It is not to leave the viewer indifferent, to make him think and enjoy how to solve
graphically, I look for another way to say certain things.
FINALLY
Pay attention to the titles, intended to give clues to the skeptic
and facilitate the understanding of the above. Facilitate their understanding.
In my emotional approaches.
Eduardo Saro
