Tiene que ganarse el puesto.

The "LIFE" that we live and the EXISTENCE always disturbed me, I felt them and feel incompatible or something like that. That is why I search everything I perceive including my memories etc. the other side, perhaps there is the origin, the ultimate reason. Well, I see painful discomfort around me, having been alive and present in so many places. FORMAL ASPECTS Nature apart. Our urban civilization determines us a lot. The fact that the rectangle is always present, came to obsess me. We coexist with him, constantly our intimate apartment or building is a development or three-dimensional assembly of thousands of them, in different quantities, sizes with different functions and different materials, appropriate given its usefulness. But not only that all our visual contacts in our civilized, urban life ... From the window to see the book to learn and so on to our grave. This, I was very impressed. That is why I chose the SQUARE to define my creations given its archetypal perfection, and for not participating in the different virtues of the rectangle according to its harmonic proportions and that the vertical or horizontal position influences the viewer. Considering its difficulty, I presented my work including the challenge the intention that it is not noticed, that what is captured makes the frame forget. THE ARGUMENT The images that I present are allusions questions about human nature in its entirety. Incredible in determining situations, or imponderable "values" that naturally condition our life and I expose my vision, sometimes ironically, others in the key of drama and I try to use four or five different creative spaces to enrich the infinity of points of view that are appreciated, to investigate in some way, why this life fails so much, including of course interaction with the social environment, hence the "relationship" with others and with ourselves. I speculate on its past and future present effects. As visual metaphors. or "essays" on the "emotion" of existing in this time. Artistic style" I move within the broad "framework" of the figurative symbolic abstract, seeking the more interesting communication and I seek strength, visual evocation is ironic or hurtful. Visual essays on the gift and challenge of living. THE BACKGROUND It is not to leave the viewer indifferent, to make him think and enjoy how to solve graphically, I look for another way to say certain things. FINALLY Pay attention to the titles, intended to give clues to the skeptic and facilitate the understanding of the above. Facilitate their understanding. In my emotional approaches.