Andanzas XXIII
Acrylic · 2020 1,089 views
Made by a human
Ricardo Valbuena certifies having made this artwork by hand, with no AI-generated imagery.
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This painting is about energy, movement, motion and emotion, light and depth. Truly gestural and energetic brush strokes, create a very dynamic composition, where the figurative and abstract elements in the painting play freely. A subdued palette of mostly blues, violets, greys and ochres gives elegance and sobriety to an otherwise very animated painting. This is part of the series of Walking Figures, walking for me is a metaphor for the journey of life. My figures are walking in the light and towards the light, which is our essence and destiny. This is a vision of humanity and animals ascending to the light. The painting is richly painted in many layers, creating a texture that invites a tactile response.
Ricardo Valbuena is a professional artist with an extensive international career of close to 40 years of dedication to painting and drawing. His work has been exhibited in innumerable one man and group shows in Colombia, England, France, Ireland, USA, Canada, Morocco, and United Arab Emirates. From a very early age he leaves Colombia and thus begins a pilgrimage across the world, which has brought him to live abroad for 40 years, in ten different countries and 4 continents. At the age of 29 he had his first spiritual awakening in London, that forces him to question his existence and take off on an adventure that makes him leave Europe and explore deeply the Shamanism of South America and the Amazon. These experiences will guide him to India, were he remains for two years in the Bihar School of Yoga Ashram studying, teaching yoga and doing artwork. From there he moves to Morocco, then Ireland and later the USA, were he becomes a citizen and continues to work on his art, and studies and teaches yoga and meditation. In September 2015 he returns to live in Colombia to paint and teach yoga and meditation. His artwork has been featured in multiple press articles and publications, as well as art platforms, in Colombia and abroad and can be found in public and private collections in many countries.
Maria Carolina
