Triumph 2
Canvas · 2022 120 views
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Details
- Category
- Painting
- Medium
- Canvas
- Dimensions
- 60 × 48 in
- Year
- 2022
- Edition
- Unique piece
- Framed
- No
- Signed
- Yes
Series-2, Forms There is uncertainty as to when elephant warfare first started but it is widely accepted that it began in ancient India. The early Vedic period did not extensively specify the use of elephants in war. However in the Rigveda the king of Gods and chief Vedic deity Indra is depicted as riding either Airavata, a mythological elephant, or on the horse Uchchaihshravas as his mounts. Elephants were widely utilized in warfare by the later Vedic period by the 6th century BC. The increased conscription of elephants in the military history of India coincides with the expansion of the Vedic Kingdoms into the Indo-Gangetic Plain suggesting its introduction during the intervening period. The practice of riding on elephants in peace and war was common among Aryans and non-Aryans, royalty or commoner, in the 6th or 5th century BC.
As an artist, Abhishek Kumar(b.1987), my work is a testament to the transformative power of vibrant colors, bold knife techniques, and a deep connection with the natural world. Through the interplay of oils and acrylics, I embark on a creative journey that delves into the intrinsic beauty of landscapes, capturing their essence in a dance of light and color. Inspired by the awe-inspiring wonders of nature, my artistic exploration centers around the majestic forms of mountains, the graceful elegance of trees, and the dynamic energy of waterfalls. Each series of works is a contemplative journey into the heart of these natural elements, seeking to understand and convey their profound beauty on canvas. My creative process is a meticulous study of the intricate textures and patterns woven by nature. Observing the play of light during different moments—whether it be the fleeting impressions of the sun or the transformative hues of a sunrise or sunset—I translate these nuanced experiences into enduring artistic expressions. The result is a collection of paintings that embody the emotions and sensations inspired by the ever-shifting weather and seasons. Central to my artistic vision is an unwavering focus on the source of light in each composition. Light, as a transformative force, shapes the atmosphere and mood of the artwork, creating a vivid interplay of shadows and highlights that breathe life into the scenes I depict. In addition to my paintings, I extend my exploration of form and texture to stoneware sculptures. With a bold application of thick, textured colors using a knife, I celebrate the vividness and richness of the landscapes that serve as my muse. Cityscapes, mountains, and the intriguing forms of trees become the primary subjects through which I express my unique visual language. My artistic journey is a continuous experiment with distance and depth, inviting viewers to embark on a visual voyage through layers of color and texture. I aspire to convey not only the external beauty of the landscapes I explore but also the internal landscapes of emotion and experience. Each piece serves as an invitation to step into a world where color, form, and texture converge, creating a vibrant tapestry that speaks to the profound connection between art and the natural world. As I delve into the creative process, my artworks become a fusion of observation and introspection, blurring the lines between reality and inner imagination. Sunrises and sunsets, symbolic of the eternal cycle of life, hold a special place in my heart, often finding expression in my paintings as poignant reminders of the beauty and impermanence of existence. In essence, my artworks are a harmonious symphony of colors, textures, and emotions—a representation of my deep connection with nature and a desire to share its enchantment with the world. With each stroke of the brush and each sweep of the knife, I aim to transport viewers into the captivating realm of nature, inviting them to experience its majesty and contemplate the profound interplay of light and life.
Sanjay punekar
