The Violinist
Huile · 2016 551 vues
Fait par un humain
O. Yemi Tubi certifie avoir créé cette œuvre à la main, sans image générée par intelligence artificielle.
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O. Yemi loves the works of Spanish surreal artists like Salvador Dali’s “Butterfly windmills” and Italian artist Guiseppe Arcimboldo’s “The Librarian.” He loves to create works from his own imagination that are not really real. Looking at the picture of a young lady on his church’s notice board, O. Yemi was inspired to do this painting. This young lady is a violinist in the church worship choir and O. Yemi chose to use her musical instrument to paint her portrait. Tackling this project was a bit challenging for O. Yemi; he wants the portrait to be real likeness of the young lady and violin in the painting to be real as well. O. Yemi faced the dilemma of fussing both images together. He needs to decide to use the skin colour of the lady or the brown wood colour of the violin. His first attempt to fuss the image of the young lady and the violin together graphically looked grotesque. To rescue the aesthetic beauty of the work, O. Yemi substituted Tailpiece of the violin for the nose of the young lady and the Bridge of the violin for the teeth of the young lady. To complete the storyline of this painting, O. Yemi uses musical notes as the hair coming out from the violin and the sky at the background were dotted with musical notes.
Like some of the old art masters Delacroix and Goya that spoke about social and political upheavals of their time in their works, O. Yemi uses some of his paintings to express himself about on-going political and social issues around the world. “A work of art which did not begin in emotion is not art” so said Paul Cezanne; O. Yemi was deeply moved by the horrors of wars and the plight of immigrants drowning in the sea to pick up his brushes again. His first political painting was “ARAB REVOLUTION” influenced by Arab Spring that started in 2012. “THE EAGLE HAS LANDED” was done to speak about American led war on terror. His painting -“KABIYESI OBA OBAMA (Unquestionable King Obama)” was a political satire based on the love and hate relationship between President Obama and Donald Trump. “THE BLEEDING ROSE” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. “Hunger in the Land of Plenty” and “OIL: AFRICANS’ WEALTH and WOE” were about poverty and exploitation of African people. He also used his painting – “UKRINE: THE UNFORTUNATE BRIDE” to speak about how America and Russia influenced the war in Ukraine. “THE FISHERS OF MEN” was about immigrants drowning in the sea. When O. Yemi works on portrait paintings, he desires his portrait paintings to be uniquely creative. He often uses the paintings to tell stories about his subjects. In one of his commissioned paintings “Josanne of Trinidad”, he blended the images of the parents at the top background cloud and the main subject below the images of her parents. This is to indicate that the parents are in heaven looking down on Josanne. He often uses his subjects’ professions to create their paintings. He used artist materials to create his painting “PORTRAIT OF AN ARTIST” and image of violin for the portrait of “THE VIOLINIST” He used books and flowing letters to create the portrait of Professor Wole Soyinka, 1986 Nobel Prize Winner in Literature in painting “SOYINKA: AN AFRICAN LITERARY ICON” O. Yemi has widely exhibited his works around the world in group and solo exhibitions. His works had featured in exhibitions in Bogota, Colombia; Vancouver, Canada; UN exhibition, Milan, Italy; Tokyo, Japan; USA and in many cities across the United Kingdom. O. Yemi has received many awards for his works across the world; his works have also been published in many art magazines and contemporary arts books. He is a member of the Fine Art America, the Society of All Artists, AERA –the Association Embracing Realistic Art and WCA- World Citizen Artists. O. Yemi paintings and awards can be seen on his website: www.o-yemi-tubi.pixels.com
